Gossamer Production Drawing
Gossamer Production Drawing
Signed by Chuck Jones
Unframed or Matted
Size: 10,5 x 12.5
Gold Stamped Seal
Certificate of Authenticity Included
Original production drawings are one-of-a-kind pieces of animation art. Prior to the creation of cels, each character pose and action must be drawn in pencil. These drawings are the artistic backbone of the film or television show, and are much in demand by collectors.
Original production drawings are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Prior to the creation of production cels, each character pose and action must be drawn in pencil. These drawings are the artistic backbone of the film or television show, and are much in demand by collectors.
There are two main types of original production drawings: rough drawings and clean-up drawings.
As the name suggests, rough drawings are imperfect in their lines, often featuring multiple pencil strokes, erased elements, and sometimes scale measurements (for instance indicating the size of the body in relation to the size of the head). Some animation art lovers prefer rough drawings for their raw artistry and out of appreciation for the fact that this is where the animators put pencil to blank paper and began the creative journey.
Clean-up drawings are recognizable by their smooth, singular lines and the absence of the trial and error strokes seen in roughs. A clean-up drawing is made from each rough by the animator placing a fresh sheet of paper over a rough drawing, illuminated from below with a lightbox, and tracing the best lines to create the ideal image for that moment in the film. Some fans and collectors prefer clean-up drawings for their beauty, simplicity, and because this is the actual drawing that led to the next step in the process, the creation of the production cels.
While original production drawings lack the vivid color of cels, they are very desirable for two main reasons. Many collectors prefer drawings because it is at this stage that the animators really exercised their talents and brought the characters to life. Another appealing aspect of drawings is that they almost always cost significantly less than a comparable production cel.
About Chuck Jones
In a career spanning over 60 years, Jones made more than 300 animated films, winning three Oscars as director and in 1996 an honorary Oscar for Lifetime Achievement. Among the many awards and recognitions, one of those most valued was the honorary life membership from the Directors Guild of America.
During the Golden Age of animation Jones helped bring to life many of Warner Bros. most famous characters€”Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig. The list of characters he created himself includes Road Runner, Wile E. Coyote, Marvin Martian, Pepe le Pew, Michigan J. Frog and many others. He also produced, directed and wrote the screenplays for €œDr. Seuss€™ How the Grinch Stole Christmas,€ a television classic, as well as the feature-length film €œThe Phantom Tollbooth.€ In addition, Jones was a prolific artist whose work has been exhibited at galleries and museums worldwide.
Born on September 21, 1912 in Spokane, Washington, Jones grew up in Hollywood where he observed the talents of Charlie Chaplin and Buster Keaton and worked occasionally as a child extra in Mac Sennett comedies. After graduating from Chouinard Art Institute in Los Angeles (now California Institute of the Arts) Jones drew pencil portraits for a dollar a piece on Olvera Street. Then, in 1932, he got his first job in the fledgling animation industry as a cel washer for former Disney animator, Ubbe Iwerks. It was at Iwerks Productions that he met Dorothy Webster, to whom he was married in 1932.
In 1936 Jones was hired by Friz Freleng as an animator for the Leon Schlesinger Studio (later sold to Warner Bros.). Jones admired and revered Freleng for the rest of his life, saying, €œNo one except Tex Avery had as perfect a sense of timing as did Friz Freleng.€
He worked with and for directors Tex Avery and Bob Clampett until the early forties when they left the studio, and for the remainder of his years at Warner Bros. he worked in parallel with directors Friz Freleng and Robert McKimson. He remained at Warner Bros. until the studio was closed in 1962.
During those years, sometimes referred to later as the Golden Years of Warner Bros. animation, arguably some of the most enduring cartoons ever made were produced; most of them still enjoying worldwide recognition daily.
When Warner Bros. closed, and after a very short stay at the Disney Studios, Jones moved to MGM Studios, where he created new episodes from the Tom and Jerry cartoon series. While there, in addition to The Phantom Tollbooth and Dr. Seuss€™ How the Grinch Stole Christmas, Jones directed the Academy Award-winning film, The Dot and the Line.
Jones established his own production company, Chuck Jones Enterprises, in 1962 and produced nine half-hour animated films for television including Rudyard Kipling€™s Rikki Tikki Tavi, Mowgli€™s Brothers, and The White Seal.
In the late 70s Jones and his daughter, Linda, pioneered a continuing art business featuring limited edition images created by Jones depicting scenes from his most enduring cartoons. He continued to support his daughter€™s business, generously making appearances, drawings, and paintings, in addition to signing countless editions of images, which continue to delight collectors and fans worldwide.
Chuck Jones died at the age of 89 in February 2002, but he leaves a legacy of brilliance, comedy, joy, color, and laughter that lives on.that will live on forever!
Gossamer Production Drawing