Sylvester and the Baby Carriage

Description

Hand Painted Limited Cel (Unframed and Matted)by Virgil RossSize: 10.5 x 13.5Certificate of Authenticity IncludedAboutHand-painted limited edition cels showcase legendary characters and recreate classic moments from great cartoons, using the same materials and techniques as were used in making the originals. Some limited editions are exact reproductions of frames from the films they represent, while others, such as Chuck Jones€™ limited editions, are based on the artist€™s interpretations of classic animation characters and scenes.In either case, the animator€™s drawing is transferred onto acetate cels, then each is meticulously hand-painted by studio artists. Cel painting is a time-honored, and extremely exacting process requiring that each color be individually applied by hand. Many hand-painted limited edition cels are made up of more than a dozen individual colors, and in some cases several dozen paints are used. It takes the skilled hand of a highly skilled and experienced cel painter to bring these fine art pieces to life.  Each piece is hand-numbered in small edition sizes (generally between 100 and 750) and comes with a studio-issued certificate of authenticity detailing the origins, techniques, and size of the edition. In some cases the finished cels are signed by the animation legends upon whose work they are based. Pieces signed by Chuck Jones, Friz Freleng, Bill Hanna, Joe Barbera, Matt Groening and other animation pioneers are very much in demand by collectors.As the great majority of original production cels from the 1940€™s, 50€™s and 60€™s are no longer in existence, hand-painted limited edition cels allow collectors an unparalleled opportunity to enjoy some of the greatest moments in the history of animation.About The ArtistVirgil Ross was a legendary animator who worked chiefly at Warner Brothers during the 'Golden Years of Animation'. Having moved through the ranks of the pioneering studios (as a trainee for Charles Mintz, in 1930, for $6 a week salary, and for Walter Lantz -- briefly -- in 1935), Ross joined Tex Avery at Leon Schlesinger€™s 'Termite Terrace'. He remained there until Warner Brothers dissolved their cartoon department in 1964. Thereafter, he delved into the world of low-budget animation, ending up at Filmation in the 60's and 70's, turning out 'Batman', 'Superman' and 'Star Trek' cartoons. Ross excelled at facial expression and had a keen eye for gesture and movement in his drawings. He was at his best designing action and dance sequences, ideally showcased in episodes like Rhapsody Rabbit (1946) (he was reputedly quite nimble on the dance floor himself). Moreover, he was instrumental in the development and maturation of the character who captained the Looney Tunes ship: Bugs Bunny (his creations included the rabbit's first Oscar-nominated short, A Wild Hare (1940)). During his lengthy tenure as a key member of Friz Freleng's unit, he also perfected perennial favorites Yosemite Sam (Knighty Knight Bugs (1958)) and Sylvester (Bad Ol' Putty Tat (1949), A Mouse Divided (1953), A Streetcar Named Sylvestor (1953). etc). In 1988, Ross was honored with the highest accolade in animation, the Winsor McKay Achievement Award in animation.