Potent colors and engaging light are vessels I hope will bring you into the atmosphere of my paintings and leave your spirit wanting to stay. Quite simply, I want you to long to be in the painting, to take comfort and smile with a sense of whimsy, a sentiment in my paintings that can be contributed to my influential background in professional studio animation and video game art.
“I approach each painting with a conscious sense of balance between earth and water - most of my paintings have water even if its existence is only implied. I find natural beauty and a soothing logic in water that meets land that I hope relates as emotions, even if not parallel to my own.“
“The signature is always the most complicated part of any painting because I find it extremely difficult to ever call a painting complete. But if you view my painting and find yourself there leaned against a palm on the shore while your mind authors a light rain or a curious butterfly taking flight, then I suppose a painting is never quite complete."
Following graduation from UCF, Rob began working for a number of small animation studios. Because Disney had recently relocated their animation studios to California and left many animators in Central Florida who chose not to uproot, Rob found himself working "along side quite possibly the most talented artists I've ever known right there in those small studios." Their influence was invaluable.
While at the studios, Rob had the opportunity to work in many areas of film. In particular, the time spent in character creation and environments heavily influenced his painting style.
For some time, Rob worked as a character artist for Electronic Arts (EA Tiburon) creating human likenesses in games such as Madden and NCAA football.
When Rob paints, he imagines places he'd rather be and he imagines friends along the way. Those two categories, Places I'd Rather Be and Friends Along the Way, occurred naturally as Rob began building a body of work. In most cases, his paintings easily fall into one or the other (and sometimes both).
When his last contract ended with EA, Rob took a leap of faith and began painting full time. Today, Rob's work is a mirror of his background in animation and video game art.
Denyse Klette's earliest memory of creating was when she was four and she spent hours copying the drawings out of her sister's 'How To Draw' book, which serendipitously was written by a Disney artist. When she was 8, Denyse came home from school and announced to her parents that she should quit grade 4 and become an artist since that is what she knew she would be. Her parents made her stay in school but she was selling her line drawings by grade five so she could have "donut and butter tart" money and by 16 she had her first cartoon strip published in two local newspapers.
Although she smiles at her childhood memories, Denyse was serious about her art at that early of an age and has never wavered from this career choice going on 45 years. She also never did return the book to her sister and it sits proudly amongst her vast collection of Disney art books.
Today, Denyse’s artwork is represented in three countries and has been featured prominently in galleries and private collections in North America. In 2006, a collection of 45 pieces was featured in the $40M Deerfoot Inn and Casino in Calgary, Alberta, Canada. For over 15 years she had the privilege to paint portraits of business people, politicians, celebrities and families from several different countries.
Denyse co-created Belly Button Buddies; which grew from a series of award-winning books, into a live theatrical musical that over 100,000 children enjoyed. It was then developed into a children’s TV show that aired in Canada and the UK. In 2016, Denyse signed a three-book deal with Macmillan Publishing for a whimsical series of adult coloring books that has been distributed worldwide. Her artwork has also been widely licensed for home decor products, fabric, beachwear, bags, puzzles, playing cards, to name just a few.
She has always loved sculpting but never had the time to pursue the medium to its fullest until the summer of 2017, when she was able to mentor under a talented bronze artist and her first bronze debuted at the Wyland Galleries of Florida. Denyse began mixing the two styles and began creating sculpted bias relief style paintings, which at times she adds Swarovski crystals. “Because really can you ever have too much sparkle??”
The pinnacle in her career was the day she signed to become the first Canadian artist to be published under the Disney Fine Art collection. “To walk into my studio each day and know that I get to create the most magical characters is a dream come true.”